![]() Norton & Company stands as the largest and oldest publishing house owned wholly by its employees. #THE OPEN STRING SONORITY OF BLUE CATHEDRAL JOHN CAGE PROFESSIONAL#In the 1950s, comparable number of trade, college, and professional titles published each year-W. By mid-century, the two major rmly established. Norton & Company has been independent since its founding in 1923, when William Warder rst published lectures delivered at the People’s Institute, the adult rm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. Joseph Machlis Late Professor Emeritus, Queens College of the City University of New York Kristine Forney Professor of Music, California State University, Long Beach The Enjoyment of Music An Introduction to Perceptive Listening S H ORTER Contemporary composers look to world music - chapter 46. The new virtuosity of the modern age - chapter 45. American modernism in music - chapter 39. Music of the early modernists - chapter 37. Impressionism and post-impressionism - chapter 35. Impressionism and the early twentieth century. Late romantic and post-romantic music - Part 6. ![]() National schools of romantic opera - chapter 33. Absolute music in the nineteenth century - chapter 32. Music in ninteenth-century America - chapter 30. Classical choral music and opera - Part 5. The sonata in the classical era - chapter 26. ![]() The development of classical forms - chapter 22. Other Baroque instrumental music - Part 4. Baroque instruments and the suite - chapter 19. The Baroque cantata and oratorio - chapter 18. Baroque opera and its components - chapter 17. Secular music in the Middle Ages - chapter 14. Sacred music in the Middle Ages - chapter 13. The culture of the Middle Ages and Renaissance music. Style and function of music in society - Part 2. Western musical instruments - chapter 10. ![]() Voices and musical instrument families - chapter 9. Musical expression: tempo and dynamics - chapter 8. The organization of musical sounds - chapter 5. Rhythm and meter: musical time - chapter 3. ![]()
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